Villa Lobos An Aria From Bachianas Brasileiras Mp3 Download
Shop and Buy Aria (from Bachianas Brasileiras, No. 5) sheet music. Orchestra, Strings sheet music book by Heitor Villa-Lobos (1887-1959): G. Schirmer at Sheet Music Plus: The World Largest Selection of Sheet Music. Online shopping from a great selection at Digital Music Store. Click on the button to go to the page where you can download the music. At the end of each line you find more information about the music of that specific performer: the duration and the filetype. For example '6'02 m128' means that this performer offers a mp3 file of 128kbps that takes 6 minutes and two seconds.
- Villa Lobos An Aria From Bachianas Brasileiras Mp3 Download Youtube
- Villa Lobos An Aria From Bachianas Brasileiras Mp3 Download Mp3
Villa Lobos An Aria From Bachianas Brasileiras Mp3 Download Youtube
Shop and Buy Bachianas Brasileiras No. 9 sheet music. String Orchestra sheet music book by Heitor Villa-Lobos (1887-1959): Editions Durand at Sheet Music Plus: The.
Brazil's leading composer, Heitor Villa-Lobos, wrote nine compositions under the title Bachianas Brasileiras, including some of his most famous works. They all appeared between the years 1930 and 1945, which coincide with the nationalist and autocratic regimes of Getulio Vargas. The commentator Anna Stella-Schic has noted that in the earlier set of works called Chôros Villa-Lobos had used Brazilian popular and folk materials to create scholarly music, whereas in the Bachianas he used the scholarly base of Bach to write music of a simpler and more popular nature. The populism of this approach was in keeping with the ideological preferences of the Vargas regime, as was Villa-Lobos' assertion that Brazilian folk music had elements in common with the melodies of Bach. Beginning with the composition of the Bachianas Villa-Lobos became identified with the regime, and from 1932 onward served as the Superintendent of Musical and Artistic Education for the city of Rio de Janeiro, which was then the nation's capital.
This Bachiana was dedicated to Villa-Lobos' superior, Minister of Education Gustavo Capanema. It is the one that comes closest to the exuberant contrapuntal density of the Choros series. At over 25 minutes, it is the longest Bachiana, and is often ranked as the best work of the series, though in popularity it probably is third, after the lovely Bachiana Brasileira No. 5 and Bachiana Brasileira No. 2, with its popular 'Little Train of the Caipira' movement.
Each of the four movements has two titles in Portuguese, one drawn from musical forms used by Bach, and the other making a Brazilian reference.
It opens with 'Prelúdio; Ponteio,' the latter being a Brazilian song form. It is a flowing aria with one of the best melodies in this tuneful series, beginning in a flowing Adagio tempo which then speeds up a bit, but slows for the conclusion, in this case to Largo.
The second movement is called 'Giga; Quadrilha Caipira.' The tempo marking is Allegretto scherzando. Here Villa-Lobos happily mixes together several diverse musical influences, and piles them up into his trademark dense and exciting layers. His musical return to the 'caipira' is every bit as rhythmically exciting as the train ride in Bachiana No. 2. ('Caipira,' has been translated as 'hillbilly,' but 'boondocks' seems an apt term.) In this movement Bach's gigue, which itself derives from the Celtic jig, meets a 'boondocks quadrille' or square dance with Brazilian Indian and Afro-Brazilian elements also prominent.
The third movement, 'Toccata; Desafío,' has a strong flavor of festival days in the dry northeastern part of Brazil, in a rapid tempo.
The work ends in a magnificent 'Fuga; Conversa.' Villa-Lobos had in mind the 'conversations' that chôros players have with each other while improvising, yet the fugue in this concluding section is formally correct and takes on the sound of Bach's organ fugues.
Parts/Movements
- Prelúdio (Ponteio)
- Giga (Quadrilha caipira)
- Tocata (Desafio)
- Fuga (Conversa)
Appears On
Year | Title / Performer | Label / Catalog # | AllMusic Rating |
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2011 | 5099902820224 | ||
2009 | BIS | ||
2007 | EMI Classics / Warner Classics | ||
2007 | EMI Classics | ||
2006 | 1400 | ||
2005 | Jose Feghali / Rosana Lamosa / Nashville Symphony / Kenneth Schermerhorn | 8557460-62 | |
2005 | Enrique Bátiz / Barbara Hendricks / Royal Philharmonic Orchestra | ||
2001 | 95440 | ||
2001 | Isaac Karabtchevsky / Orquestra Sinfônica Brasileira | 843 | |
1996 | RCA Victor Red Seal | ||
1991 | 0777767229 | ||
1986 | EMI Music Distribution | ||
Isaac Karabtchevsky / Orquestra Sinfônica Brasileira | 143 |
This work is likely not in the public domain in the US (due to first publication with the required notice after 1924, plus renewal or 'restoration' under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it ispublic domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years. |
Movements/SectionsMov'ts/Sec's | 2 movements
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Composition Year | 1938 (first movement); 1945 (second movement) |
Genre Categories | Songs; For voice, 8 cellos; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the cello; For voices with solo instruments; Portuguese language; For voice, guitar (arr); For voices with solo instruments (arr); Scores featuring the voice (arr); Scores featuring the guitar (arr); For violin (arr); For 1 player (arr); Scores featuring the violin (arr) |
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Performances
Naxos
Villa Lobos An Aria From Bachianas Brasileiras Mp3 Download Mp3
Sheet Music
Parts
Original version (Ária)
Cellos I (CA)
*#36280 - 1.40MB, 8 pp. - 0.0/10 (-) - C/43/30 - Notnd
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Cellos II (CA)
*#36281 - 1.93MB, 10 pp. - 0.0/10 (-) - C/43/30 - Notnd
Cellos III (CA)
*#36282 - 1.74MB, 8 pp. - 0.0/10 (-) - C/43/30 - Notnd
Cellos IV (CA)
*#36283 - 1.73MB, 9 pp. - 0.0/10 (-) - C/43/30 - Notnd
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Vocal Scores
Original version (Ária)
Complete Score (CA)
*#302749 - 7.12MB, 6 pp. - 0.0/10 (-) - C/43/30 - Villa-Lobos
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Arrangements and Transcriptions
Original version (Ária)
For Voice and Guitar (Composer)
Complete score (CA)
*#393907 - 0.38MB, 5 pp. - 0.0/10 (-) - V/50/30 - IgorCello
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For Violin solo (Akera)
Complete Score (CA)
*#330733 - 0.05MB, 2 pp. - 0.0/10 (-) - !N/43/30 - Akera
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General Information
Work Title | Bachianas brasileiras No.5 |
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Alternative. Title | |
Composer | Villa-Lobos, Heitor |
Opus/Catalogue NumberOp./Cat. No. | W389 (original) ; W390 (voice and piano) ; W391 (voice and guitar) |
I-Catalogue NumberI-Cat. No. | IHV 9 |
Key | see below |
Movements/SectionsMov'ts/Sec's | 2 movements
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Year/Date of CompositionY/D of Comp. | 1938 (first movement); 1945 (second movement) |
First Performance. | 1939-03-25 in Rio de Janeiro
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First Publication. | 1947 |
Copyright Information | Although purely instrumental selections and arrangements are permitted for this piece items containing any text by the author(s) listed belowcannot be added to the main server until January 1, 2019. Items with text first published before 1925 or otherwise confirmed as public domain in the United States can be uploaded to the USA server only. |
Librettist | 1. Ruth Valladares Corrêa (1904-ca.1963) 2. Manuel Bandeira (1886-1968) |
Language | Portuguese |
Dedication | Mindinha |
Average DurationAvg. Duration | 8 minutes |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | Soprano, 8 Cellos; arranged for voice and piano, voice and guitar |
External Links | Villa-Lobos site (IU) Wikipedia article (all Bachianas brasileiras) The Lied, Art Song, and Choral Texts Archive |
Extra Information | Villa-Lobos originally wrote this work for 9 cellos. |