Joe Henderson took several of his well-known tunes like Punjab, Shade of Jade, Isotope, and Homestretch (re-named Joe's Blues) and a few standards such as Without a Song and Chelsea Bridge and created harmonically and rhythmically sophisticated arrangements that are deep even by today's big band writing standards. Nov 03, 2018 Provided to YouTube by Universal Music Group Isotope Joe Henderson Big Band ℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc. Released on: 1. Mar 30, 2010  This eight-CD package covers the period between 1967 and 1976 when tenor saxophonist Joe Henderson was under contract to Milestone records. Henderson made a dozen records under his own name during this period and appeared on many sessions as a sideman. The 84 tracks culled from the period offer an exhaustive account of Henderson's activities. Joe Henderson (Lima, Ohio, April 24, 1937 - San Francisco, California, June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than forty years Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note. “Isotope” first showed up in 1964 on an album led by Henderson, Inner Urge. Henderson, on sax, was joined by McCoy Tyner on piano, Bob Cranshaw on bass, and Elvin Jones on drums. The tune starts with a very Monk-ish figure from Henderson’s sax, complemented by Tyner’s piano line and backed by Cranshaw and Jones.

• Isotope Joe Henderson Pdf
• Isotope Joe Henderson Pdf

On this 1996 recording, improbably the first to ever feature him leading a big band, the inimitable Joe Henderson assembled nine compositions (seven of which were self-penned) and a topnotch band for a very interesting record. Volumes have been written about Henderson as a soloist but, on Big Band, even the longest-term Henderson fan gets to hear his prodigious skills as a big band arranger for the first time. Influenced by Bill Holman and Bill Russo as much as by classical composers Igor Stravinsky and Bela Bartok, his charts are cool and sophisticated. Of course, Henderson's cause is helped by the absolutely unquestioned majesty of the core material, as well as a fine batch of co-soloists, including Chick Corea, Christian McBride, and Freddie Hubbard. The Slide Hampton-arranged 'Isotope' is one of the finest moments on the record, with an almost amusingly dramatic introduction that evokes a film noir score before it accelerates into the famous theme. Corea's solo is absolutely masterful, a headlong rush into nothingness that somehow manages to land on its feet. When laid side by side, his solos often outstrip the leader's in their inventiveness and capability to draw the listener into the song. This is not, however, to downplay the contributions of the leader as a soloist; Henderson's tenor is as lovely as ever. Fantastic solos notwithstanding, it is the wonderful arrangements of these deservedly classic songs that make this album so valuable. Listen to the Robin Eubanks-led trombone section in 'A Shade of Jade' for a quick taste of what it sounds like when everything about a big band comes together just so. There is not a lot to dislike about Joe Henderson's first recorded foray into big-band arranging. Recommended.

Inner Urge is an album by jazz saxophonist Joe Henderson released in 1966, the fourth recorded as a leader for Blue Note Records. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 30, 1964. It features Henderson playing tenor sax, along with pianist McCoy Tyner and drummer Elvin Jones (both of whom were members of the John Coltrane quartet at the time of the recording). The album's bass player, Bob Cranshaw, was a regular member of Sonny Rollins' band at the time of the recording, and was also a frequent session musician for record labels including Blue Note, Prestige and Atlantic.^[5][6]

The compositions[edit]

Jazz critic Nat Hentoff interviewed Henderson for the album's original liner notes essay, and Henderson described the creative impulses behind several of the songs to Hentoff. The title track, 'Inner Urge,' (which has since become a Jazz Standard), was a reflection of a time in his life when Henderson was 'coping with the anger and frustration that can come of trying to find your way in the maze of New York, and of trying to adjust the pace you have to set in hacking your way in that city in order to just exist.' Henderson also told Hentoff that 'Isotope' is a tribute to Thelonious Monk and Monk's use of musical humor. Hentoff writes elsewhere in the liner notes that 'El Barrio' represents Henderson's attachment to the 'Spanish musical ethos', and that the piece was inspired by Henderson reflecting on his childhood in Lima, Ohio. Henderson is quoted as saying that he gave the other musicians 'two simple chords, B minor and C major 7 (B phrygian)', and asked them 'to play something with a Spanish feeling' while he improvised a melody for the piece.^[7]

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Reception[edit]

Simpler ableton live download. The Penguin Guide to Jazz gave the album a four-star rating (of a possible four stars), describing the music as 'dark and intense'.^[8]

Track listing[edit]

All compositions by Joe Henderson, except where noted.

1. 'Inner Urge' – 11:58
2. 'Isotope' – 9:15
3. 'El Barrio' – 7:15
4. 'You Know I Care' (Duke Pearson) – 7:22
5. 'Night and Day' (Cole Porter) – 7:24

Personnel[edit]

Musicians[edit]

• Joe Henderson – tenor saxophone
• McCoy Tyner – piano
• Bob Cranshaw – bass
• Elvin Jones – drums

Personnel[edit]

• Alfred Lion – producer
• Francis Wolff – cover photograph

References[edit]

Isotope Joe Henderson Pdf

1. ^Billboard Apr 9, 1966
2. ^Gioffre, Daniel. 'Inner Urge – Joe Henderson AllMusic'. allmusic.com. Retrieved 17 July 2011.
3. ^Weinstein, Norman (2 July 2004). 'Joe Henderson: Inner Urge'. allaboutjazz.com. Retrieved 27 August 2013.
4. ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 100. ISBN0-394-72643-X.
5. ^James Beaudreau. 'Review at PopMatters'. Retrieved 2007-07-29. On November 30, 1964, nine days before John Coltrane would record A Love Supreme in the same room, late tenor saxophonist Joe Henderson brought two-thirds of Coltrane's rhythm section (and bassist Bob Cranshaw) into Rudy Van Gelder's New Jersey studio and recorded an under-recognized masterpiece.
6. ^James Beaudreau. 'Review at Allmusic'. Retrieved 2007-07-29. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw
7. ^Original liner notes by Nat Hentoff
8. ^Cook, Richard; Brian Morton (2006) [1992]. The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th ed.). New York: Penguin. p. 627. ISBN0-14-102327-9.

Isotope Joe Henderson Pdf